Posts Tagged ‘new product’

Steiner Binoculars; Seeing is Believing

Tuesday, December 4th, 2012

Never under estimate the power of a good pair of binoculars, especially at Christmas.

When you think about binocular’s odds are you’ll glaze over with images of bird watchers sat in hides whispering to one another. You are pretty much spot on. But there is another way. Binoculars are to photographers what a pair of running shoes are to a cyclist. Get rid of the weight, the gear, the technology and go back to something pure.

I got a pair of binoculars for my father’s last birthday. He had been using the same pair of old german 8×40’s for years and it had got a bit embarrassing come the Bournemouth Air Festival. Low and behold, he picks the new pair up and instantly falls in love with the crisp image, the light weight and excellent optical performance. The best part is, it cost me under £100!

Binoculars can be affordable, well thought out Christmas presents that have a super long life expectancy. None more so than the Steiner range of binoculars. These start from £99 and work there way up, but these bin’s won’t let you down for years to come.

View our full range of binoculars over on the website.

Steiner started producing optics over 60 years ago, making them one of the most devoted companies around. Steiner is unique in that it’s the only company to have invested 100% of it’s time and money into the development and production of optics. With this specialisation comes a unique quality found in Steiner products that you can’t find else where. Sure, Leica have  the red dot and Swarovski have the name, and diamond shop, but Steiner still come up with brilliant pieces of equipment.

Fuji X-E1: Image Comparison

Wednesday, October 24th, 2012

New Fuji X-E1 vs Canon EOS 7D.

For roughly £1200 you could have a Fuji X-E1 and 35mm f/1.4 or a Canon EOS 7D and 35mm f/2.

In a rather unscientific test we can guess that these are both very good crop-sensor cameras with portrait-ish lenses. The question is where would that money be best spent. Here are some very quick findings.

Fuji X-E1

Portrait of Luke, Fuji X-E1 and 35mm f/1.4 Lens

A nice quick portrait of Luke, natural light at f/2 (to match the Canon) with good sharp features and distinctive out of focus areas around the ears.

100% Crop from Fuji X-E1

This is a 100% crop from the above image.

Canon EOS 7D

Portrait of Luke taken on the Canon EOS 7D with 35mm f/2

Same deal as above, taken at f/2. Given the Canon’s ever so slightly smaller sensor the crop factor is 1.6x.

100% crop from Canon EOS 7D

Another 100% crop from the EOS 7D.

Conclusion:

Both cameras used the same aperture at f/2 and the same ISO settings, everything else left to auto. These results are pretty subjective, there are preferences you will have to each. The thing is both kits cost around the same money, both are high level cropped cameras with similar sensor sizes and the lenses are very similar. The Canon system is substantial, whilst the Fuji X range is still in its infancy so there isn’t the backup of a huge lens range.

Arguably the lenses aren’t of the same quality, the Fuji 35mm will set you back approximately twice as much as the Canon. This is really here to demonstrate how good Fuji have made something, the quality you get immediately from the camera, with no post processing, is unbelievable when you consider your other options. Sure there isn’t the RAW support for the Fuji yet, and they don’t have the biggest fleet of lenses, but if you’re considering spending over £1000 then the Fuji is certainly worth a look.

Order your Fuji X-E1 from Castle Cameras.

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Fuji X-E1: Hands on Review

Wednesday, October 24th, 2012

Join the Family

After yesterdays post, where I admitted my love for the Fuji X series, I’m at it again. This time it’s to update you on the Fuji X-E1.

Having used the Fuji X-Pro 1 for a while I was convinced it was perfect. The button layout was spot on, nothing was ever to far and changing setting on the fly was incredibly easy, in no small way thanks to the constant knowledge that the optical viewfinder wouldn’t let me down. To my surprise I picked up the X-E1 and realised a few things I would change on the X-Pro.

Controls:

Fuji X-E1 Back View

Image via Fujifilm

Upon first glance the button layout on the X-E1 is exactly the same as the X-Pro 1, with things ever so slightly closer together thanks to the reduced size. All key elements are there, exposure comp and shutter speed dial on the top plate, fn button hidden next to the shutter, even the curved rear thumb grip holding the Q button remains intact. It was the simplest thing that stunned me. There is no lock on the shutter speed dial on the X-E1, the X-Pro locks at A and you must press the central button to release the wheel. It doesn’t sound like a big thing but when I was changing constantly from aperture priority to manual it did start to wear on my nerves. Something as simple as this omission has actually made this camera better for me. This is a very personal taste, I know some of you will be concerned about shifted settings etc.

Size:

Fuji X-E1 Silver Front View

Image via Fujifilm

The size difference is immediately noticeable. The camera weighs much less and fits my, admittedly girly, hands quite nicely, much in the same way the X100 does. In fact the X-E1 feels like an X100 with the added bonus of the X-Pro grip and button layout. This has got to be a good thing considering the success of the X100. I can’t see anyone being too put out by the smaller form factor, it’s a big decrease in size but rarely have I heard anyone have a problem with the X100 prior to the X-Pro. All in all, we’re good on this front.

The Viewfinder:

I’ll get this out of the way; I don’t mind electronic view finders. The X-E1’s is beautiful. The image is clear, bright and crisp with very little lag noticed. The simple joy is you know exactly what you’re going to get. Gone are the grid lines from the X-Pro and your left with something simple and somewhat elegant. Getting used to the focus system of the X-Pro was somewhat of a learning curve, one that I got on with very well but one that doesn’t suit everyones style. The viewfinder pretty much sums up the X-E1: Simple, elegant and with stunning image quality.

There are of course disadvantages to this EVF. If you really like the X-Pro’s optical finder, like I do, then no, it’s not quite as good. There isn’t that extra special feeling you get when using the X-Pro’s view finder, subconsciously focusing on beautiful grid lines whilst experiencing the world around you. The thing is that not even this can detract from the good points – the quality and the sheer user friendliness of the X series.

Conclusion:

I love it, admittedly I want one of each. The X-Pro’s viewfinder is worth the extra money alone. If, however, you’re after something that looks beautiful and gives you stunning images in return then you can pick the X-E1 and happily shoot away without a care in the world.

This isn’t the most geeked out review you’ll ever read, that’s because I don’t think we can talk about the Fuji X series in the same way we do Canon or Nikon DSLR cameras. Hopefully this will make you consider BOTH X series cameras, pick them up and compare them and make the decision from that. The simple fact is that both cameras are going to produce stunning images in exactly the same ways, the difference in the case is just HOW you get to that moment.

Order your Fuji X-E1 from Castle Cameras.

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Camera bag Buying Guide – 12 Weeks of Christmas

Wednesday, October 3rd, 2012

Carry your gear in comfort, without the need for a sherpa.

If you’re loved one has hinted that they are running out of room in their bag, or unable to carry all they want, then nothing could be more perfect than a new bag. You are about to enter a veritable mine field. Luckily we’re here to help, and slim down those choices.

‘I need to carry more gear.’

It’s a common one. Photographers get so excited for every shoot they must have every single piece of equipment packed. It’ll cause you no end of misery when you watch them leave almost everything in their bag, so make sure you don’t end up carrying it.

More gear means more space, more weight and the need for more support. You’ll find their are some incredibly large shoulder bags like the Tamrac Ultra Pro 13, or Tamrac Pro-bag 12, perfect if you don’t do a lot of carrying or want super quick access.

If you’re travelling or walking any great distance then the weight is going to be easier to shift in a backpack. Not all backpacks are made equal. Choose something that offers extra protection like the Lowepro Vertex 200AW, or Tamrac Adventure 9 grey, which use both chest and waist straps to keep the load stable and close.

Click to view our full range of backpacks.

‘I just want a day bag for my camera and one lens’

This is a common one, if  you buy a DSLR package with a few lenses, maybe a flash, then you soon realise that you don’t want to take it all out all the time. Holster bags solve the problem in one easy go. Big enough to carry a digital SLR and a single lens attached you’d think it’s super easy to pick one up. You’ll still need to consider a few things.

For smaller DSLR cameras, such as the Canon EOS 1100D or Nikon D5100, you can use smaller bags like the Lowepro Adventura TLZ25, or Tamrac Adventure Zoom 3. For bigger DSLRs like the Sony Alpha 77 or Nikon D800 you’ll need something with a bit more depth, something more like the Lowepro Toploader Zoom 50 AW, or Tamrac Pro-Digital Zoom 5. If your photographer is shooting sports or wildlife photography then a holster that will accommodate a large zoom lens is in order, going for the Lowepro Toploader Zoom 55 AW, black will provide adequate room.

For a real snug fit OpTech provide some great neoprene ever-ready cases. Perfect for braving the elements these cases are effectively wetsuits for your camera.

Click to view our full range of holster cases.

‘I want something that doesn’t look like a camera bag.’

When travelling or even just going out for dinner, sometimes you don’t want to scream LOOK AT MY CAMERA. Shoulder bags are an excellent way to keep camera gear discreet by looking more like a satchel or messenger bag.

The Tamrac Rally series of bags are brilliantly made, weather resistant and quick to access, they also appear less ‘camera’ and more ‘lifestyle’. As you browse the range you’ll notice the different sizes accommodate different needs, the Tamrac Rally 2 is for smaller cameras and just a few extras whilst the Tamrac Rally 7 will offer a whole range of kit to be stored. Perfect, if you shoot from the boot of your car a lot.

Offerings from Lowepro include their Lowepro Exchange Messenger, which comes in some interesting colour ways and is definitely suited if your camera is your second thought. Try their Classified range if you’re after more city styling to your photography.

Click to view our full range of shoulder bags.

‘These are all great, but I’m a female and don’t want to carry a blokes bag!’

Here we have the Tamrac Aria series of bags. Designed for Women in an aesthetic that looks like a bag that would actually be worn by a woman. The Aria comes in 2 sizes, the Aria 3 and Aria 6 that offer a solution for nearly any amount of kit short of needing a Vivian Westwood suitcase.

The Aria 3 can hold a DSLR, extra lens and flash gun quite comfortably, just enough for those portrait sessions or getting out for some landscape shots. If you’re taking advantage of Compact System cameras then you’re going to be able to fit even more in, with some careful juggling of the insides you’ll be fitting almost everything you could possible need inside.

The Aria 6 is a bit more serious. You’ll be fitting more gear in and the added size lets you slip in an iPad or small netbook for some on-the-go downloading and editing. You’ll be able to fit bigger lenses and more accessories into this bag. If you’ve got smaller reflectors and bits and bobs, then you’ll be slipping all these in too.

Both bags come in 3 colours; a sort of camo-esque green, an autumnal brown and a pretty standard black. The finish is smooth, water-resistant, nylon fabric that does actually feel a lot like silk. The exterior is pleated and finished with a metallic clasp with only a little embroidered Tamrac logo on the front to indicate that it’s a camera bag. Both sizes come complete with zippered front pocket for your valuables and 2 side pockets that will easily fit your phone and iPod.

Click to view all our Tamrac Aria bags.

Post Photokina 2012: More cameras to lust after.

Monday, September 24th, 2012

This year’s Photokina has rocked the photography world with more releases than one could shake a stick at. Here’s what’s happened.

Canon:

Canon put the rumour world to bed just before the show kicked off. The EOS 6D was announced as their entry level full frame DSLR, and that’s exactly what it is. Canon have also refreshed their top end compact range with the new G15, S110 and SX50 HS. With 4 new cameras come 6 new printers. For the professionals out there you’ve got a pair of new top of the range A3+ printers in the Pixma Pro-10 and Pixma Pro-100. Canon also released 3 new A4 printers to the Pixma IP range, one simple A4 photo printer and two new multipurpose units. The final new printer is the Selphy CP900 portable photo printer. Making the most of the Powershot S110’s in built Wifi the CP900 allows you to wirelessly print your images.

Nikon:

Following suit Nikon got their announcements in early. The new Nikon D600 was announced and launched within a week, joining the Nikon 1 J2 and Nikon Coolpix S800c as their new products. The D600 is Nikon’s answer to an entry level full frame camera, yet supports more features similar to their high end models than the Canon EOS 6D does. The Nikon 1 J2 is another compact system camera to entice amateur users, whilst the S800c merges smart phone technology with a big lens. The S800c is probably the most exciting of the three launched, giving an insight into the future of the compact camera market.

Sony:

Sony users have had their prayers answered in the form of the Sony Alpha 99, the worlds first full frame DSLT camera. Some may be disappointed with the lack of optical viewfinder but it is time to accept that SLT is the future for Sony. Also announced was the NEX 6, taking all the best parts of the NEX 7 and new NEX 5R, with built in WiFi, PlayMemories apps and an inbuilt viewfinder. The NEX 5R is worthy of note, if only for how quickly it got swept under the carpet in favour of the NEX 6. There was also the matter of the worlds first 35mm full frame compact camera, the Sony RX1. We posted a little video on that one.

Fuji:

The most exciting launch for me. Fuji unveiled the new Fuji X series camera, the X-E1. Featuring many of the benefits of the X-Pro 1, sacrificing an optical viewfinder in favour of a smaller form factor. With the long awaited zoom lenses available for the Fuji X system and now a smaller, more affordable body, this could be the camera to own if you’re looking for great quality without the DSLR size.

Sigma:

Announced a range of new lenses with emphasis on crisp design and stunning optics. Can’t wait to actually see these in the flesh. Top of the list, 35mm f/1.4. More info to follow.

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Fuji X-Pro 1 Firmware V.2.00 Released

Tuesday, September 18th, 2012

Fuji have released the latest firmware update for their compact X-Pro system.

Image via Castle Cameras

The Fuji X-Pro 1 now gets V.2.00 and new models will be shipping with this shortly. The biggest improvements are to the AF and read/write speeds. Fuji are notoriously very good at listening to user feedback and implementing change quickly. Here’s a full list of improvements;

  • 1.Improvement of Auto Focus Performance
    • (1)Auto focusing speed has become much faster under a various shooting condition such as dark scenes, bright scenes and so on.
    • (2)The shortest focusing distance without switching to macro mode has become shorter.
  • 2.Improvement of Manual Focus Performance
    • (1)The speed of images coming into focus when turning the focus ring has become faster.
    • (2)When adjusting the focus with the EVF or the LCD, displaying live view with the minimum depth of field in full aperture has made it easier to focus on subjects.
    • (3)In addition to the focus checking with the 10-time magnification function, the checking with “3-time” magnification function has been added.
  • 3.Improvement of Writing and Processing Speed
    • (1)Writing speed to a memory card has become faster with the maximum speed doubled.
      <Note> The speed may vary depending on card type and sizes of images.
    • (2)The waiting time of viewing image after shooting has become shorter.
    • (3)An image will be displayed approx. one second after pressing the playback button.
  • 4.Other improvements
    • (1)The ISO setting of “Auto (6400)” has been added.
    • (2)When EVF or OVF is used, the indicator lamp will turn off because the lamp comes to just in front of your right eye if you see the finder with your left eye.
    • (3)When shooting in low light situation, a recorded image will look like more natural atmosphere you saw.

You can follow the link to Fuji’s website to begin your download.

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Canon EOS 6D Vs Nikon D600: Who gets your money?

Monday, September 17th, 2012

Canon and Nikon both confirm entry level full frame cameras, but how do they stack up?

Thanks to the rumour-mill there’s been no great surprises at either of the past weeks launches. 2 entry level full frame cameras designed for every photographer to be able to pick up and shoot in 35mm glory. Now you get the decision; which to choose?

Canon EOS 6D Nikon D600
  • 20 megapixel full frame sensor
  • 100-25,600 ISO (extandable to 102,400)
  • 11 point AF
  • 4.5 fps
  • Single SD card slot
  • 1/180 Flash Sync
  • Shutter tested 100,000
  • Wifi/GPS built in
  • Launch price £1799
  • 24.3 megapixel full frame sensor
  • 100-6400 ISO (extendable to 25,600)
  • 39 point AF
  • 5.5 fps
  • Double SD card slot
  • 1/200 Flash Sync
  • Shutter tested 150,000
  • Optional Wifi/GPS unit
  • Launch price £1955

Whilst you’ll be able to pick up the Nikon D600 from early as the coming Friday you’ll have to wait until December for the EOS 6D. Neither of the cameras are completely game changing but offer a more affordable full frame camera. Neither camera is going to replace a professional DSLR but for landscape/portrait photographers, a lightweight FX camera will sound attractive despite their relative lack of clout.

Both cameras are available to pre-order through the Castle Cameras website with £100 deposit. Both lists are a first-come first-serve basis so be quick to get the first batch.

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Canon EOS 6D Preview: Little body, big sensor.

Monday, September 17th, 2012

Today Canon announced the EOS 6D, the worlds lightest full frame DSLR.

Image via Photo Rumours

The EOS 6D is the answer to Nikons D600. The new DSLR boasts;

  • 20 megapixel full frame CMOS sensor
  • Digic 5+ Processor
  • Magnesium alloy cover
  • Wifi and GPS built in
  • 11 point AF
  • 4.5fps
  • 1/180 Flash sync

The Canon EOS 6D is available for pre-order at CastleCameras.co.uk.

Nikon D600 Preview: I AM SOMETHING.

Friday, September 14th, 2012

Following Nikon’s launch of the first ‘affordable’ FX camera, I thought I’d give a round up of who is saying what about it.

The Nikon D600 is undeniably going to be cool. Effectively a Nikon D800 (currently £2345) in a Nikon D7000 (currently £719) body, this is a FX camera aimed at the enthusiast market. Who doesn’t want a full frame camera now a days? Sony have decided you want it in a compact, Nikon have decided to give enthusiasts a chance to play too. Whilst a camera at this price point still means a lot of overtime or sacrificing a lot of kit in part exchange, Nikon have started a ball rolling for affordable high end quality. This doesn’t come without a catch.

Strobist author David Hobby has said;

“The first thing, and given recent history something not unexpected, is the lack of a sync jack. I was pissed off surprised when the D7000 didn’t include it. But a full-frame body without a sync jack? That’s just a little weird.

It has a 1/200th sync. Game over. [...] True, it is only a third of a stop as compared to 1/250th. But with speedlights and daylight, that is a critical third of a stop. To be clear, this camera makes every single flash you own less effective.

Also, the difference between 1/250th and 1/200th sync is deadly when it comes to stopping action when balancing flash and ambient. 1/250th is dicey enough. 1/200th just doesn’t work.”

So no flash sync port, just like the D7000 and other ENTHUSIAST range cameras. Is this such a huge surprise? Not really. This is NOT a D800, the D600 is firmly rooted in the enthusiast range which is why there is a price difference between the two cameras. If Nikon had put full pro features in a body that’s nearly £500 cheaper than it’s least expensive pro offering then D800 owners would feel cheated. It’s just good business. More over, it makes sense. Nikon aren’t out to alienate their professional users but rather give enthusiasts the chance to up the quality of their images through increased sensor size, not a daunting full professional set up.

Using Snapsort to compare the D600 and the D800 you’ll get an idea of the differences.

Even on Nikon’s website the D600 is filed away under ‘Consumer’. This is where the camera is aimed, this isn’t a cheap pro DSLR, this is an absolutely fantastic enthusiasts camera.

Over on PetaPixel they finish their preview with;

“Still, it’s exciting that one of the trends we’re seeing this year is an emphasis on sensor sizes rather than megapixels. Hopefully one day in the near future we will be writing about a $1,500 entry-level full-frame DSLR. Too bad it wasn’t today.”

Gizmodo UK went with the headline;

“Nikon D600: A Professional Camera This Awesome Cannot Possibly Be This Cheap”

There’s a million other tech blogs out there with their own little summarisation of the camera, just Google Nikon D600 and take your pick. The common feeling is either ‘It’s really quite cheap for what you get’ or ‘It’s too expensive for what you loose out on’.

So what do I think? I think Nikon have made the first move, it’s big, it’s bold and it’ll have repercussions around the industry. The main thing to remember is this is about image quality. If you want the highest image quality possible then you put your hand in your pocket and get the best you can. The D600 is the first in a new generation, eventually this could lead to a D3200 with a FX sensor going for £500, it is a possibility. You will, however, still be stuck with a tiny body designed to be simple. There is a reason the D300s is still in the ‘Professional’ category despite it’s DX sensor. FX sensors are not professional, they’re just big.

The D600 is set to be a fantastic camera to use, offering the best in consumer image quality. When I get my hands on one I’ll make sure to post a review that explains the differences better, and in less words.

Sony Alpha 99: All but confirmed.

Tuesday, September 11th, 2012

The new full frame Sony Alpha 99; the first full frame Sony SLT.

Image from PetaPixel

Users of the ageing Sony Alpha 900 have been gagging for a new full frame camera from Sony for a couple of years now. Sony Alpha Rumours have just released images of the new camera from every angle showing a host of new features. You can expect;

  • 35mm full frame CMOS Sensor
  • 3inch rotating LCD screen
  • ISO standard Hot shoe (at last)
  • Mic in/Audio out
  • Mini HDMI out
  • Dual SD card slots
  • OLED EVF.

A remarkably solid looking feature set for the body means this is a real photographers camera. Now we’ve just got to wait for the official announcement, coming any day now, to confirm the specs and get some sample images.

Image from PetaPixel

Image from PetaPixel